Anthea Xin, drawing from her Italian-Chinese lineages,  emerges with the material specificity of indigo and other pigments, tracing their terrestrial origins and spiritual resonance as a chromatic marker of cultural hybridity. 

Xin’s work emerges from a dynamic interplay of expressionist gesture and an interior process rooted in non-dual Eastern traditions, positioning the body as a microcosm of the universe, as a cosmological map, bridging primal archetypes with the vastness of galactic flows.  

Trained in the liminal spaces between East and West, Xīn’s compositions oscillate between the tactile and the transcendent, reimagining archetypes of sexuality, cosmology and liminality within a contemporary fine art context.

Her current explorations may be seen as a revival of ancient wisdom traditions, where an inner/outer symbolism is presented:  the human form becomes a cartography of cosmic becoming—bridging the molar stability of nature with the molecular flux of celestial systems.

She reflects a commitment to materiality and cultural memory, offering a refined lens on humanity’s place within the vastness of the cosmos: a vision that is both urgent and timeless.